All-Music
Guide
Rock & roll has always been populated by fringe figures, cult
artists that managed to develop a fanatical following because of
their outsized quirks, but few cult rockers have ever been quite as
weird, or beloved, as Ian Dury. As the leader of the
underappreciated and ill-fated pub-rockers Kilburn & the High
Roads, Dury cut a striking figure -- he remained handicapped
from a childhood bout with polio, yet stalked the stage with
dynamic charisma, spitting out music-hall numbers and rockers in
his thick Cockney accent. Dury was 28 at the time he formed
Kilburn, and once they disbanded, conventional wisdom would
have suggested that he was far too old to become a pop star, but
conventional wisdom never played much of a role in Dury's
career. Signing with the fledgling
indie label Stiff in 1978, Dury developed a strange fusion of
music-hall, punk rock and disco
that brought him to stardom in his native England. Driven by a
warped sense of humor and a pulsating
beat, singles like "Hit Me With Your Rhythm Stick," "Sex & Drugs &
Rock & Roll" and "Reasons to Be Cheerful (Part 3)" became Top Ten hits
in the U.K., yet Dury's most distinctive qualities -- his dry wit and wordplay,
thick Cockney brogue, and fascination with music-hall -- kept him from
gaining popularity outside of England. After his second album, Dury's style
became formulaic, and he faded away in the early '80s, turning to an acting
career instead.
At the age of seven, Ian Dury was
stricken with polio. After spending two years in hospital, he
attended a school for the physically
handicapped. Following high school, he attended to the Royal
College of Art, and after his graduation,
he taught painting at the Canterbury Art College. In 1970,
when he was 28 years old, Dury formed
his first band, Kilburn & the High Roads. The Kilburns
played simple,'50s rock & roll,
occasionally making a detour into jazz. Over the next three years,
they became a fixture on England's
pub-rock circuit. By 1973, their following was large enough that Dury could
quit his teaching job. Several British critics became dedicated fans, and
one of them, Charlie Gillett, became their manager. Gillett helped the
band sign to the Warner subsidiary Raft, and the group recorded an album
for the label in 1974. Warner refused to release the album, and after some
struggling, the Kilburns broke away from Raft and signed with the Pye subsidiary
Dawn in 1975. Dawn released Handsome in 1975, but by that point, the pub-rock
scene was in decline, and the album was ignored. Kilburn & the High
Roads disbanded by the end of the year.
Following the dissolution of the
Kilburns, Dury continued to work with the band's pianist/guitarist,
Chaz Jankel. By 1977, Dury had secured
a contract with Stiff Records, and he recorded his debut
with Jankel and a variety of pub-rock
veterans -- including former Kilburn Davey Payne -- and
session musicians. Stiff had Dury
play the 1977 package tour Live Stiffs in order to support his
debut album New Boots and Panties!!,
so he and Jankel assembled the Blockheads, recruiting
guitarist John Turnbull, pianist
Mickey Gallagher, bassist Norman Watt Roy and drummer Charley
Charles. Dury and the Blockheads
became a very popular act shortly after the Live Stiffs tour, and
New Boots and Panties!! became a
major hit, staying on the U.K. charts for nearly two years; it
would eventually sell over a million
copies worldwide. The album's first single, "What A Waste,"
reached the British Top Ten, while
the subsequent non-LP single "Hit Me With Your Rhythm Stick"
climbed all the way to number one.
Ian Dury had unexpectedly become
a superstar in Britain, and American record companies were
suddenly very interested in him.
Arista won the rights to distribute Dury's Stiff recordings in the U.S.,
but despite overwhelmingly positive reviews, New Boots and Panties!! stiffed
in America, and the label instantly dropped him. Despite his poor U.S.
sales, Dury was still riding high in his homeland, with his second album,
Do It Yourself, entering the U.K. charts upon its summer release in 1979.
Dury supported the acclaimed album, which saw him delving deeply into disco,
with an extensive tour capped off by the release of the single "Reasons
to Be Cheerful (Part 3)," which climbed to number three. Once the tour
was completed, Jankel left the band and Dury replaced him with Wilko Johnson,
former lead guitarist for Dr. Feelgood. With Johnson, Dury released his
last Stiff album, Laughter, which received mixed reviews but respectable
sales upon its 1980 release. The following year, he signed with Polydor
Records and reunited with Jankel. The pair flew to the Bahamas to record
his Polydor debut with reggae superstars Sly Dunbar and Robbie Shakespeare.
The resulting album, Lord Upminster, received mixed reviews and poor sales
upon its 1981 release; the album was notable for the inclusion of the single
"Spasticus Autisticus," a song Dury wrote for the United Nations Year of
the Disabled, but was rejected.
Following the failure of Lord Upminster,
Dury quietly backed away from a recording career and
began to concentrate on acting;
1984's 4000 Weeks Holiday, an album recorded with his new band the Music
Students, was his last major record of the '80s. He appeared in several
plays and television shows, as well as the Peter Greenaway film The Cook,
the Thief, His Wife and Her Lover and Roman Polanski's movie Pirates. He
also began to write jingles for British commercials. In 1989, he
wrote the musical Apples with Mickey Gallagher, and he also appeared in
the stage production of the play. Dury returned to recording in 1992 with
The Bus Driver's Prayer and Other Stories.
In May 1998, Dury announced that
he had be diagnosed with colon cancer in 1995 and that the
disease had spread to his liver.
He decided to release the information the weekend of his 56th
birthday, in hopes of offering encouragement
for others battling the disease. --
Stephen Thomas
Erlewine,
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