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Fuller Up,
The Dead Musicians Directory
A SITE ABOUT DEAD MUSICIANS AND HOW THEY
GOT THAT WAY
AIDS
Click on name for biography on this page
Freddie Mercury: Best known as the flamboyant lead singer of the multi-million selling UK group Queen, Mercury also branched out into extra-curricular musical activities Following much speculation over his health in November 1991, he finally admitted that he was suffering from AIDS. Within forty-eight hours, on 24 November, he died from bronchial pneumonia at his Knightsbridge home. A major concert was arranged in April 1992 at London's Wembley stadium. Known as the Freddy Mercury Aids Benefit, it attracted the largest world-wide viewing audience when televised live.
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Fela Anikulapo Kuti: The African continent's most creative Afrobeat superstar,
anti-military dictatorship activist, social maverick and pan-Africanist Fela Anikulapo
Kuti
died of AIDS-related reasons and heart failure. Fela's 58 years old, odd but
very courageous engagement with life was as controversial, irreverent, creative as he was
sometimes confusing to even his most ardent admirers. His social promiscuity and hyper-
sexual relationships with women, mainly his retinue of dancers were, at once, revolting to
many, as he was also an object of curiosity for all manner of people, Americans and
Europeans, Africans and Arabs, men and women. He was a genius, albeit, for lack of a
better word, a usefully mad genius, a creative iconoclast. Fela's genius as a musician had
an unmatched stellar power, may be an acute acoustic verve and caustic provocations to the
powers that be. The military in Nigeria feared only one man in Nigeria: Fela.
Get the whole story by reading Fela: The Life & Times of an African Musical Icon
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Lonnie Pitchford: Mississippi blues guitarist Lonnie Lee Pitchford, who had carried on
the legacies of blues legends Robert Johnson and Elmore James, died of complications from
HIV on Nov. 8 at his home in Lexington, Mississippi. He was 43. Pitchford had toured
Europe and Australia and had played American venues such as the Rock and Roll Hall of
Fame, the Chicago Blues Festival, the Delta Blues Museum, and the
Smithsonian Festival of American Folklife.
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Liberace: This larger-than-life pianist had no major chartbustersbut had an indefinable charm and talent that gave delight to multitudes of fans across the globe. Of Polish-Italian extraction, he was raised in a household where there was always music particularly from father Salvatore who blew French horn in both John Philip Sousa's Concert Band and the Milwaukee Symphony Orchestra. George and the younger Wladziu seemed keenest on likewise becoming professional players. Wladziu's piano skills were praised by no less than Paderewski, and he won a place at Wisconsin College of Music at the age of seven. During a 17-year scholarshipthe longest ever awarded by the academyhe made a concert debut as a soloist at 11 and was fronting renowned symphony orchestras before leaving adolescence. He moved to Columbia Records where, supervised by Mitch Miller, he cut a flamboyant version of September Song which, supplemented by an in-concert album, brought Liberace to a national audience. Nevertheless, he struck the most popular chord with encores in which doggerel like Mairzy Doats or Three Little Fishes were dressed in arrangements littered with twee arpeggios and trills. He also started garbing himself from a wardrobe that would stretch to rhinestone, white mink, sequins, gold lame and similar razzle-dazzle. Crowned with a carefully-waved coiffeur, he oozed charm and extravagant gesture with a candelabra-lit piano as the focal point of the epic vulgarity that was THE LIBERACE SHOW, televised coast-to-coast from Los Angeles, which established a public image that he later tried in vain to modify. While in the UK, he instigated a High Court action, successfully suing the DAILY MIRROR, whose waspish columnist, Cassandra had written an article on the star, laced with sexual innuendo. Nonetheless, Liberace's mode of presentation left its mark on stars such as Gary Glitter, Elton John, and Queen. When the singer died on 4 February 1987 at his Palm Springs mansion, the words kidney complaint were a euphemism for an AIDS-related illness. ~Music Central '96
Ofra
Haza: Ofra
Haza, who melded ancient Yemenite Jewish devotional poetry with 1980s techno music to
become Israel's first international pop music success, died Wednesday, February 23, 2000.
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Ricky Wilson: The lyrically bizarre Rock Lobster was originally a private pressing of 2,000 copies and came to the notice of the perceptive Chris Blackwell, who signed them to Island Records in the UK. Rock Lobster became a belated US hit in 1980 and they received John Lennon's seal of approval that year as his favourite band. Their subsequent albums continued to make the group hard to categorize, and consequently they remained a popular cult band. Their music is: polyrhythmic Captain Beefheart meeting '50s' rock with punkish energy. Ricky Wilson died of AIDS in 1986 (although it was initially claimed that cancer was the cause, to save his family from intrusion).
Tom Fogerty: Creedence Clearwater Revival Tom Fogerty continued to record, to little sales or public acclaim, throughout the 1970s and 1980s. He, Cook, and Clifford became increasingly estranged from John Fogerty in disputes over use of the Creedence catalog and John's feuds with Fantasy Records. By re-signing with Fantasy in the early 1980s (he had left for a couple of albums on PBR in the late 1970s), Tom further alienated John, although all four bandmembers managed to set aside grievances and play together one last time at Tom's wedding in 1980. The brothers, sadly, grew further apart over the 1980s before Tom died in 1990 of AIDS, believed by his family to have resulted from blood transfusions during operations for back trouble. -- Richie Unterberger, All Music Guide
Wayne Cooper Over the years, Cameo has reflected the numerous changes in the world of funk. When they started in 1974, they frequently toured with Parliament and Funkadelic, which is a clue to how their sound was styled. Even though they were in the hard funk vein of George Clinton's classic outfits, they were not copycats. As the '70s became the '80s, they started to play around with their sound slightly. In 1984, they found a successful style -- the synth- powered title track to their album She's Strange. But that only hinted at what was to come. With 1986's Word Up, Cameo recorded a funk classic -- bass-driven and synth heavy, the album was the sound of the mid-'80s. "Word Up" was also the song that broke them into the mainstream, reaching the Top Ten on the pop charts; thankfully, the album didn't have just one good song, it had a whole album's worth. Word Up proved to be the pinnacle of Cameo's career. Although the group kept recording and touring into the '90s, their style became a bit formulaic, as synthesizers and robotic funk took precedent over songs in their later records. By the mid-'90s, Cameo was, for most intents and purposes, finished as a recording artist, yet they still could tour successfully. ~Stephen Thomas Erlewine, All Music Guide Lance Loud Died: 21 December 2001 Lance
Loud - "first person to come out on TV'' - dies Lance Loud w/ The Mumps Fatal Charm
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Klaus Nomi: Klaus Nomi was born in Germany in 1944. His real name
was Klaus Sperber. In his youth he worked as an usher at the Deutsche Oper in
Berlin and would imitate such singers as Elvis Presley and Maria Callas. He didn't get
to the Deutsche Oper as a singer. He got depressed and went to New York.There
he first had a job as a pastry chef at the World Trade Center and later formed a
freelance baking company but sang in rock clubs too. Then he met David Bowie who
asked him and Joey Arias to sing with him in the Saturday Night Live TV show. Nomi and
Arias sang backing vocals on Bowie's songs "The Man Who Sold the World",
"TVC15" and "Boys Keep Swinging". After that Nomi got a lot of
gigs. He made his records in the early eighties and died of AIDS August 6th
1983.
Birthplace: Cliffside Park, NJ Rumors that Ray had contracted the AIDS virus had been
floating about since 1990, but by the fall of 1993, there was little doubt that Ray was
indeed afflicted with the ... disease, and on December 3, 1993, Ray ultimately succumbed
to AIDS-related complications, dying at his home in New Jersey. In a career that
spanned nearly a decade, Ray found himself performing with some of the greatest names of
rock, appearing with such bands and artists like Black Sabbath, Badlands, and George Lynch
on a variety of stellar album releases and subsequent tours. ~Marc Fevre,
Napa, CA (1998) Sylvester: Sylvester was born Sylvester James and was raised by his grandmother, blues singer Julia Morgan. After a short-lived gospel career, he performed with the transvestite vocal group the Cockettes. His solo-career backing vocalists included Martha Wash, Izora Rhodes (both of whom went on to form Two Tons of Fun and the Weather Girls), and Jeanie Tracy, and his shows were often outrageous and won him a large following in San Francisco's gay community. He died of AIDS- related complications in 1988. ~ Steve Huey, All Music Guide
Peter Allen: In the 1970s, Peter Allen gained recognition both as a composer of romantic ballads such as "I Honestly Love You" and "Don't Cry Out Loud" and, contrastingly, as a flamboyant stage performer. He learned to play the piano and began entertaining people at the pub in his small Australian hometown when he was still a child... During the late 1960s, Allen became involved in the Greenwich Village music and theater scene, and grew disenchanted with the more conventional show business world represented by his professional partner and his wife. He and Minnelli separated during the holiday season of 1969 (though they were not divorced until July 24, 1974), and the Allen Brothers broke up in the spring of 1970. On June 24, 1970, Allen played his first show as a solo act at the Bitter End nightclub in Greenwich Village. He wrote songs for the Off-Off-Broadway La Mama Theatre Company, and made his Broadway debut on January 12, 1971, in Soon, a rock opera that played only three performances...The introspective style of much of Allen's music was increasingly contrasted with his bold performing style, and in 1977 A&M issued a double live LP, It Is Time for Peter Allen, that showed off his concert work. Back in Australia, his recording of the frothy "I Go to Rio" (co-written with Adrienne Anderson) topped the charts He died of complications from AIDS in 1992. William Ruhlmann
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Bruce Jay Paskow Bruce died in January of 1994 of an AIDS related illness. ~Tom Goodkind Jermaine Stewart: An Ohio singer/dancer, Jermaine Stewart was on Soul Train as a teen during the years it was in Chicago. He later did background vocals for Shalamar, Millie Jackson, Tavares, the Temptations, and Boy George before getting his own deal with Arista in the mid-'80s. He had three Top Ten R&B hits with Arista from 1984-1988, but his biggest hit, "We Don't Have To Take Our Clothes Off," was an R&B dud despite making it to number five on the pop charts. He died in 1997. -- Ron Wynn, All Music Guide |
Easy-E: Rap Star Eazy-E, 31, Washington Post (03/27/95) Rapper Eazy E, whose real name was Eric Wright, died on Sunday from AIDS-related complications at the age of 31. Wright's pioneering "gangsta" rap group N.W.A. helped bring inner-city rap to the suburbs. In announcing that he had AIDS on March 16, Wright said he did not know how he got the disease, but that he wanted to warn his friends and their families. "I've learned in the last week that this thing is real and it doesn't discriminate," Wright said in a statement. Check out: N.W.A. Legacy, Vol. 1: 1988-1998
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Dan Hartman: Born: 4 Nov. 1951, Harrisburg, PA, Hartman's multi-instrumental talents and light tenor were first heard by North America at large when he served bands led, together and separately, by Johnny Winter and Edgar Winter. Employment by the latter from 1973-77 brought the greatest commercial rewards - principally via Hartman's co-writing all selections on the Edgar Winter Group's They Only Come Out At Night, which contained the million- selling single, 'Frankenstein'. He was also in demand as a session player by artists including Todd Rundgren, Ian Hunter, Rick Derringer, Stevie Wonder and Ronnie Montrose. Riding the disco bandwagon, Hartman next enjoyed international success with the title track to Instant Replay and another of its singles, 'This Is It' (both of which were among the first records to be released on 12-inch vinyl). However, after the relative failure of Relight My Fire in 1979, he retired from stage centre to concentrate on production commissions - some carried out in his own studio, the Schoolhouse, in Westport, Connecticut. Among his production and songwriting clients were the Average White Band, Neil Sedaka, .38 Special, James Brown (notably with the 1986 hit 'Living In America'), Muddy Waters, Diana Ross, Chaka Khan and Hilly Michaels. In 1985 he returned to the US Top 10 with the soul concoction, 'I Can Dream About You' (for the Streets Of Fire film soundtrack) which he followed with two lesser hits prior to another withdrawal to the sidelines of pop. Having been diagnosed HIV Positive, his last major production projects included tracks for Holly Johnson and Tina Turner 's hugely successful Foreign Affair set. He died from AIDS-related complications in 1994, just as his career was being reappraised (his material was much sampled by dance bands, notably Black Box on their huge hit 'Ride On Time', while Take That took his 'Relight My Fire' to the UK number 1 spot). ~Music Central |
Fuller Up is
sponsored by Gordon Polatnick's
BIG APPLE
JAZZ TOURS

| SHAMEFUL DISCLAIMER |
AIDS
Click on name for biography on this page