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Fuller Up The Dead Musician Directory







Pops Staples:Age 85
December 19, 2000
Concussion / Heart attack
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Roebuck Staples

peacetoneighborhood.jpg (13013 bytes)GORDON'S CD PICK: Peace to the Neighborhood

  Visitation will be held from noon until 8 p.m. Friday in the Cage Memorial Chapel, 7651 S. Jeffery Blvd., Chicago, and on Saturday from 11 a.m. until noon in the Trinity United Church of Christ, 400 W. 95th St., Chicago. A funeral service will follow immediately Saturday in the church.


Gospel Singer 'Pops' Staples Dies

By HERBERT G. McCANN, Associated Press Writer

CHICAGO (AP) - Roebuck "Pops'' Staples, patriarch of the gospel and rhythm-and-blues group the Staple Singers, died Tuesday. He was 84.

Staples had suffered a concussion recently in a fall near his home in suburban Dolton.

He and his group gained fame in the 1960s by singing music that urged social and religious change. He was known for both his songwriting and his guitar playing, in which he fused gospel with the blues.

Born to a poor Winona, Miss., family on Dec. 28, 1915, Staples dropped out of school after the eighth grade to pick cotton.

Staples sang with a gospel group, the Golden Trumpets, before moving with his wife, Oceala, to Chicago in 1936, where he performed with the Trumpet Jubilees.

Staples said his earliest exposure to music came in the church. It wasn't until he was in his teens that he heard the blues. He listed Bessie Smith, Ma Rainey and Blind Lemon Jefferson among his favorites.

Staples formed the group bearing his name in 1948. Originally composed of son Pervis and daughters Mavis and Cleotha, the Staple Singers began as a gospel group that performed in Chicago churches, backed by his minimalist playing. Mavis, then 7 years old, sang bass in the group.

Their first recordings came in the 1950s.

It was during the 1960s that the Staple Singers switched to protest, inspirational and contemporary music, reflecting the civil rights and anti-war protests of the time.

"But we just kept on singing and praying, and we let our music carry the message,'' Staples said afterward. ``When people realized that our music still had the message of love, our audience grew - old people came back, and new people kept coming.''

The Staple Singers gained a huge audience with their first No. 1 hit "I'll Take You There'' in 1972 and followed with top 40 hits "Respect Yourself,'' "Heavy Makes You Happy,'' and "If You're Ready (Come Go With Me).''

In 1975 on Curtis Mayfield's Custom label, the Staple Singers released "Let's Do It Again,'' the title track of the film starring Bill Cosby and Sidney Poitier.

While the Staple Singers enjoyed success in the 1980s, "Pops'' Staples began a solo career and tried his hand at acting.

His 1992 "Peace to the Neighborhood'' garnered a Grammy nomination, and in 1994 he released "Father, Father,'' winning a Grammy.

Staples in survived by his children, Cleotha, Pervis, Yvonne - who replaced Pervis in the group - and Mavis. His wife, Oceola, preceded him in death.


Chicago Tribune Staff Writer
December 20, 2000

Gospel performer Roebuck "Pops" Staples, 85, spent a lifetime infusing pop music with social messages, convinced he could improve the world through the songs he sang.

If the world didn't change, the music industry at least stood up and took notice.

The patriarch of the Staple Singers, whose songs "I'll Take You There" and "Respect Yourself" topped charts a decade after the group brought social concerns of the 1960s to a wider audience, died of a heart attack Tuesday, Dec. 19, in his Dolton home.

"The Staple Singers were one of the most influential gospel groups in pop music," said Anthony Heilbut, author of "The Gospel Sound: Good News and Bad Times." "You could hear echoes of the Staples in everyone from Aretha Franklin to Prince to Bob Dylan."

Mr. Staples' voice--light, conversational and easy-going--said more in a softly insinuated line than a choir full of shouting singers, while his lyrics stayed focused on social and spiritual matters, as Mr. Staples reportedly did himself.

"When Dr. King started preaching, Pops said `I think we can sing it.' That's what he felt," said his daughter Yvonne. "He lived the life. He believed that the world could be made a better place for all of us."

Born in Montgomery County, Miss., Mr. Staples was educated in a one-room schoolhouse but didn't finish high school until he was an adult. He always said his education in music began much earlier.

"We'd come home and didn't have anything to do after we eat but go to bed," Mr. Staples told the Tribune in 1998. "So we'd go out in the yard and sing."

At home, church songs were the norm, he said, though he sang the blues and performed in nightclubs even as a boy. He married Oceola Ware in 1932, and three years later came to Chicago.

He worked in the stockyards until World War II broke out, opening positions in construction work. After the war, he worked in a steel mill.

A cousin recommended he record his music, and the Staple Singers' second gospel number, "Uncloudy Day," in 1957 was a hit.

Though gospel had provided a musical backbone for the civil rights movement from the beginning, Mr. Staples sought to address its issues more widely in the 1960s.

The Staple Singers attracted wide popularityafter "I'll Take You There" became a No. 1 hit in 1972, success they followed with recordings of "Let's Do It Again," "If You're Ready (Come Go With Me)," and "Respect Yourself."

The group continued performing through the 1980s, while Mr. Staples began a solo career in the early 1990s. He won a Grammy in 1994 for "Father, Father." The Staple Singers were inducted into the Rock and Roll Hall of Fame last year, and critics lauded Mr. Staples for refusing to dilute his messages of tolerance and respect.

"I like to sing and impart messages to our children," he told the Tribune in 1994.

In addition to Yvonne, Mr. Staples is survived by two other daughters, Cleotha and Mavis; and a son, Pervis.

Visitation will be held from noon until 8 p.m. Friday in the Cage Memorial Chapel, 7651 S. Jeffery Blvd., Chicago, and on Saturday from 11 a.m. until noon in the Trinity United Church of Christ, 400 W. 95th St., Chicago. A funeral service will follow immediately Saturday in the church.

'Pops' Staples; Leader of the Chart-Topping Staple Singers

By RICHARD CROMELIN, LA Times Staff Writer

     Roebuck "Pops" Staples, who led his family vocal group, the Staple Singers, from gospel music into the forefront of socially conscious rhythm & blues and to the top of the pop music charts, died Tuesday in Chicago. He was 84.

     Staples suffered a concussion recently in a fall near his home in suburban Dolton. He would have turned 85 on Dec. 28.

     The Staple Singers' biggest hits, including "Respect Yourself," "I'll Take You There," "If You're Ready [Come Go With Me]" and "Let's Do It Again," represented collaborations with some of R&B's leading figures, and were marked by a distinctive mix of blues and gospel strains that reflected the elder Staples' background.

     He was born in Winona, Miss., and in his teenage years he saw legendary blues musicians such as Charley Patton perform. He also was a churchgoer, and he began playing guitar and singing with a gospel group called the Four Trumpets.

     In the mid-1930s Staples and his wife, Oceola, moved to Chicago, where he became a member of the Trumpet Jubilees. In the late 1940s he teamed up with his children--Pervis, Cleotha, Yvonne and 7-year-old Mavis--in a group that began singing at the city's churches. They made their first recordings in the 1950s for the United and Vee Jay labels.

     In 1962, inspired by the preaching of the Rev. Martin Luther King Jr., Staples turned to secular music with a positive social message. Among their 1960s recording for Epic was a version of Stephen Stills' Buffalo Springfield hit "For What It's Worth."

     "We just kept on singing and praying, and we let our music carry the message," Staples said later. "When people realized that our music still had the message of love, our audience grew--old people came back, and new people kept coming."

     The Staple Singers found their greatest success in the 1970s, after they had moved to Memphis' legendary Stax Records, where they worked first with guitarist-producer Steve Cropper and then producer Al Bell, who oversaw "Respect Yourself," "I'll Take You There" and "If You're Ready [Come Go With Me]."

     When Stax subsequently declined as a musical force, the Staples hooked up with an old Chicago friend, Curtis Mayfield, who used them on the soundtrack of the Sidney Poitier-Bill Cosby comedy "Let's Do It Again," for his Curtom label.

     The title song, which reached No. 1 in 1975, was the Staples' last chart hit, but they continued on an unusually eclectic course. They had an R&B hit with a version of Talking Heads' "Slippery People," and Pops Staples played a voodoo doctor in David Byrne's 1986 movie "True Stories." He also appeared as himself in the 1997 film "Wag the Dog."

     Staples recorded three solo albums in the 1990s, recruiting such collaborators as Jackson Browne, Ry Cooder and Bonnie Raitt. His 1994 album, "Father Father," won the Grammy for best contemporary blues album.

     Staples is survived by his children, Cleotha, Yvonne, Pervis and Mavis. His wife, Oceola, died in 1987.


Pops Staples, Patriarch of the Staple Singers, Dies at 85


Roebuck (Pops) Staples, whose family gospel group, the Staple Singers, carried message songs to a huge pop audience, died on Tuesday at his home in Dolton, Ill., a Chicago suburb. He was 85.

The Staple Singers were Mr. Staples and his children: first a son and two daughters, later three daughters. With hits like "I'll Take You There" and "Respect Yourself," featuring the husky lead vocals of Mavis Staples, the Staple Singers linked gospel, blues and soul behind messages of hope and dignity. The songs envisioned better times and racial harmony amid the discord of the late 1960's and early 70's. Mr. Staples made two albums on his own in the 1990's; the second, "Father Father," won a Grammy Award in 1995.

With his high, pensive, admonitory voice and his pointed guitar picking, Mr. Staples was a link between the Delta blues and the thoughtful soul songs of Curtis Mayfield.

"His gentle, undulating style was the backbone of the Staples' magic, his deep and unwavering faith bear wings," said Bonnie Raitt, who produced part of Mr. Staples's album "Peace to the Neighborhood."

Mr. Staples was born in Winona, Miss., on Dec. 28, 1914, the 13th child in a family of seven sons and seven daughters. Reared in Drew, Miss., he grew up picking cotton as a young man and hearing a cappella gospel singing at home and in church. As a teenager he began listening to Delta bluesmen like Robert Johnson and Charley Patton, who was a fellow cotton picker at the Dockery plantation. He started playing guitar at 16, learning from his Delta neighbors and from records by Blind Lemon Jefferson, Big Bill Broonzy and Memphis Slim. He developed a spiky, syncopated fingerpicking style, which he would later amplify with a distinctive reverb. But he devoted himself to gospel, and sang with the Golden Trumpets, a local gospel group.

In 1936 Mr. Staples moved to Chicago with his wife, Oceola, and their daughter, Cleotha; in Chicago they had four more children, Pervis, Yvonne, Mavis and Cynthia. He is survived by all of his children except Cynthia, and by 14 grandchildren.

While he worked in steel mills and meatpacking plants, he also performed with the Trumpet Jubilees gospel group. He began singing at home with Pervis, Mavis and Cleotha, and in 1948 they became the Staple Singers, performing in Chicago churches and then around the South.

The Staple Singers began recording in 1953, making singles for the United and VeeJay labels, and they had their first gospel hit, "Uncloudy Day," in 1957. When Mavis Staples finished high school, Pops Staples quit his day job to lead the Staple Singers full time.

The group allied itself with the civil rights movement and the folk revival in the early 1960's, recording positive-thinking protest songs for the Riverside label and performing at folk festivals. Gospel traditionalists initially rejected the group, considering its music too secular. "We just kept singing and praying, and we let our music carry our message," Mr. Staples once said.

The group moved to Epic Records, for which they recorded versions of Bob Dylan and Woody Guthrie songs. "Why? (Am I Treated So Bad)," a bluesy song that protested segregation, reached No. 95 on the pop charts in 1967. They traveled and performed with the Rev. Dr. Martin Luther King Jr., and when King was assassinated in 1968, the Staple Singers released "Long Walk to D.C." as a memorial.

The group signed to Stax Records in 1968, and its sound turned to soul music. It had a No. 2 hit with "Respect Yourself" in 1971, a No. 1 hit with "I'll Take You There" in 1972, and other Top 40 hits with "Heavy Makes You Happy" and "If You're Ready (Come Go With Me)."

Pervis Staples left the group for military service in 1971, and was replaced by Yvonne. While the Staple Singers were recording for Stax, Pops Staples also released his own singles: thoughtful, socially conscious songs like "Black Boy" and "Whicha Way Did It Go."

The Staple Singers signed with Mr. Mayfield's Curtom Label in 1975, and had another No. 1 hit, "Let's Do It Again." The group appeared in the music documentaries "Soul to Soul," "Wattstax" and "The Last Waltz," and toured worldwide. During the 1980's, the Staple Singers tried dance music, and had dance-floor hits with versions of the Talking Heads' "Slippery People" and "Life During Wartime."

Mr. Staples played a voodoo doctor in David Byrne's 1986 film, "True Stories." He made his first solo album in 1987, and in 1990 he played King Creon in Chicago and San Francisco productions of "The Gospel at Colonus." In 1997 he appeared in the movie "Wag the Dog."

While he continued to lead the Staple Singers, Mr. Staples also maintained his solo career. He released "Peace to the Neighborhood" (Pointblank) in 1992, with songs produced by Ms. Raitt, Jackson Browne and Ry Cooder. Mr. Cooder also produced "Father Father" (Pointblank) in 1994, which won the Grammy award for best contemporary blues album.

In the 1990's the Staple Singers received the Rhythm-and-Blues Foundation's Pioneer Award and were inducted into the Rock and Roll Hall of Fame. Mr. Staples was named a National Heritage Fellow in the folk and traditional arts, and Pops Staples Park was established in Drew.

"We've always tried to make music that is affirmative, happy music that makes a positive point," Mr. Staples once told an interviewer. "We want people to enjoy the music, but we also want them to hear the lyrics and hear our message — love."






The Staple Singers
by Ray Stiles of MN Blues

Certainly one of the most topically influential musical families of the last half of this century, the Staple Singers have been called "God's greatest hitmakers." Steeped in the music of the church, this singing family from Mississippi crossed over into the pop mainstream without compromising their gospel roots. Behind the leadership of patriarch Roebuck "Pops" Staples, the Staple Singers have left an imprint of soulful voices, social activism and religious conviction across the decades since the release of "Uncloudy Day" in 1956.

The clan's musical signatures have been Pops Staples' gospel-based songwriting and bluesy guitar, Mavis Staples' rich, raspy vocals and the supple, ringing harmonies of Cleotha and Yvonne Staples. All three women are the daughters of Pops and Oceola Staples. With the rollicking R&B underpinnings of their music, the gospel-based Staples cracked the Top 40 eight times during the first half of the Seventies with number one songs like "I'll Take You There," on Stax Records, and "Let's Do It Again." Beyond these Top 40 watermarks, the Staple Singers have enjoyed a lengthy history that dates back to the late Forties.

It all began with Pops Staples, who was born on December 28, 1915, in Winona, Mississippi, where he grew up hearing both church and blues music. A contemporary of Charley Patton, Roebuck quickly became adept as a solo blues guitarist, entertaining at local dances and picnics. Gradually drawn to the church, by 1931 he was singing and playing guitar with a spiritual group based out of Drew, Mississippi, the Golden Trumpets. After relocating his family to Chicago in 1936, Pops became a member of the Windy City's Trumpet Jubilees. While Oceola Staples worked evenings, Roebuck kept the family occupied by teaching them songs, and this diversion became their lifelong occupation. By 1947, Pops Staples (as he had become known), along with two of his daughters, Cleotha and Mavis, and his one son, Pervis, sang together in front of a church audience, and the Staple Singers were born.

The Staples recorded in an older, deeply Southern spiritual style with Pops and Mavis sharing lead vocal chores, and most records underpinned by Pops' heavily reverbed guitar. In 1960 the Staples signed with Riverside and moved into the then-burgeoning folk boom and in 1968 they signed with Memphis-based Stax where their first two albums were produced by Steve Cropper and backed by Booker T and the MG's. In 1970 Pervis left the group for military service and was replaced by sister Yvonne, but the group didn’t miss a beat as they continued to release hit records and perform throughout the next three decades. Now in his mid 80's, Pops Staples still leads one of the most famous musical families of the past half century with a vitality and busy schedule that continues to amaze audiences worldwide.