JIMMY DAY, 1934-1999
If the death of
Austin blues guitarist T.D. Bell on January 9 was a hard blow for the Central
Texas music scene, the loss of steel guitar player Jimmy Day must be measured
in even larger terms -- its impact resonates on a national, even worldwide
scale. Buda resident Day died of cancer Friday, January 22 at the age of
There are a select
few musicians whose talent is so highly regarded that their names literally
become synonymous with their instrument -- Jimi Hendrix on the guitar,
John Coltrane and Charlie Parker on the saxophone, Miles Davis on the trumpet.
In the world of steel guitar, those names were Buddy Emmons and Jimmy Day.
Of course, Jimmy
Day never received the fame of those other names -- he was primarily a
sideman, rather than a band leader -- but like all sidemen, he helped make
the sounds that made the stars famous. Day's résumé alone
is mind-boggling; name a country music hall of famer from the Fifties or
Sixties, any one, and chances are, he played with them. And there's a reason
he hooked up with so many great musicians -- they sought him out.
But Day also played
with some smaller names as well, which must be seen as a measure of their
talent. When you're the guy who laid down the opening licks of Ray Price's
"Crazy Arms," you don't have to play with also-rans. Clay Blaker, Alvin
Crow, and Don Walser are among the Central Texas regional talents who received
the Jimmy Day stamp of approval and benefited from his talents.
Day was born in
Tuscaloosa, Alabama, on January 9, 1934, and grew up in Louisiana. He heard
Shot Jackson playing the steel guitar in 1948 and fell in love with the
instrument, developing a friendship with Jackson (Day, Jackson, and Emmons
together manufactured their own brand of pedal steel, the Sho-Bud, beginning
in 1957). He quickly mastered the instrument and was soon among heady company;
the same year he graduated from high school, 1951, Day auditioned for The
Louisiana Hayride, the Shreveport radio show which at the time rivaled
the Grand Ole Opry in importance, and backed Webb Pierce and Red Sovine.
That same year, he recorded with Pierce on "Don't Do It Darlin'," which
went to number one.
From there, there
are just too many highlights to mention. Day moved among the upper echelons
of country royalty until the late Seventies, when Nashville began its attempts
to destroy country music, often dropping the steel guitar from recordings
altogether. Day returned to Central Texas in 1978 and sought out audiences
who still appreciated true country. Among his gigs were the now-legendary
Monday nights with Don Walser's Pure Texas Band at Henry's Bar & Grill.
He moved to Nashville in 1991 for some session work when Nashville rediscovered
the steel, but then settled down in Buda again shortly thereafter.
As said, the best
way to understand the impact of Jimmy Day is to look at his résumé,
so here it is (no, we're not making this up): Webb Pierce, Red Sovine,
Hank Williams, Jim Reeves, Lefty Frizzell, Elvis Presley, Ray Price, Ernest
Tubb, Willie Nelson, Johnny Bush, Ferlin Husky, George Jones, Tracy Nelson
& Mother Earth, Sammi Smith, Leon Russell, Commander Cody, Clay Blaker,
Alvin Crow, Don Walser, Skeeter Davis. --