All-Music
Guide
Born in Liverpool, Nova Scotia, on
May 9, 1914
Died at his Nashville home, December
20, 1999
Canada's greatest contribution
to country music, Hank Snow was famous for his "travelling" songs.
It's no wonder. At
age 12 he ran away from his Nova Scotia home and joined the Merchant
Marines, working as
a cabin boy and laborer for four years. Once back on shore, he listened
to
Jimmie Rodgers records
and started playing in public, building up a following in Halifax. His
original
nickname, the Yodelling
Ranger, was modified to the Singing Ranger when his high voice changed
to
the great baritone
that graced his hit records. In 1950, the year he became an Opry regular,
his
self-penned "I'm
Moving On" (the first of his many great travelling songs) became a
smash hit,
reaching number one
and remaining their for 21 weeks. "Golden
Rocket" (also 1950) and "I've
Been
Everywhere"
(1962), two other hits, show his life-long love for trains and travel.
But he was as much
at home with two other
styles, the ballad and the rhumba/boogie.
Among his many great ballads are
"Bluebird Island"
(with Anita Carter, of the Carter Family), "Fool Such as I," and "Hello,
Love" a hit
when Snow was 60 years
old. Snow appeared regularly on the Opry into the '90s, proving that his
incredible voice suffered
no loss of quality over the last half-century, as well as what a tasteful,
understated guitar
stylist he is. With small stature and huge voice, Snow is a country traditionalist
who has given much
more to the business than he's taken.
Born and raised in
Nova Scotia, Hank Snow (born Clarence Eugene Snow) moved in with his
grandmother when he
was eight years old, following the divorce of his parents. Four years later,
he
re-joined his mother
when she re-married, but his stepfather was an abusive, violent man who
frequently beat Hank.
Tired of the abuse, Snow ran away from home when he was 12 years old,
joining a fishing
boat. For the next four years, he served as a cabin boy, often singing
for the sailors
onboard. When he was
16, he returned home, where he began working odd jobs and trying to
launch a performing
career. His mother had given him a stack of Jimmie Rodgers records which
inspired him greatly.
Within a few weeks of hearing Rodgers, Snow ordered a cheap, mail-order
guitar and tried to
learn his idol's trademark blue yodel. For the next few years, he sang
around
Nova Scotia befrore
finally mustering the courage to travel to Halifax in 1933. Snow landed
a
weekly unpaid appearance
on CHNS' Down on the Farm, where he was billed as both the
cowboy Blue Yodeller
and Clarence Snow and His Guitar. The following year, CHNS' chief
annoucner Cecil Landry
suggested to Snow that he should change his name to Hank, since it
sounded more Western.
Hank continued to perform
in Halifax for the next three years, often struggling to get by. The severity
of the financial situation
was compounded when he married Minnie Aaiders in 1936, but the couple
was soon relieved
when he landed a regular paid program on the network Canadian Farm Hour,
billed as Hank the
Yodelling Ranger. By the end of the year, Snow had signed a deal with
RCA-Victor's Montreal
branch and recorded two original songs: "The Prisoned Cowboy" and
"Lonesome Blue Yodel."
The songs were hits, beginning a string of Canadian-only hit singles that
ran
for the next ten years;
during that time, he recorded nearly 90 songs. In the early '40s, he had
a
regular show on CBC,
based in Montreal and New Brunswick. In 1944, he switched to CKCW in
New Brunswick. Around
that time, he switched his stagename to Hank the Singing Ranger, since
his
voice had deepened
and he could no longer yodel.
Though he had become
a star in Canada, the American market remained untapped. Snow tried to
break into the USA
several times, playing The Wheeling Jamboree in West Virginia, briefly
moving
to Hollywood and performing
concerts with his trick pony Shawnee, but he was having no luck
finding fans. The
problem partially lies with the fact that he was trying to find an audience
that wasn't
there, since most
citizens were concentrating on World War II. Another stumbling block was
RCA
Records themselves,
who refused to let Hank release records in America until he was well-known
in
the country. By 1948,
Snow was singing on The Big D Jamboree in Dallas, Texas, where he
befriended the honky
tonk legend Ernest Tubb. ET pulled enough weight at the Grand Ole Opry
to
get Hank a slot on
the in early 1950, and by that time, RCA had agreed to record Snow for
the
American audience.
Hank Snow's American
debut single "Marriage Vow" became a minor hit at the end of 1949, but
it
fell off the charts
after a week. Similarly, his debut appearance at the Grand Ole Opry in
January
was not well-received,
prompting Hank to consider moving back to Canada. However, those ideas
were soon abandoned
when his breakthrough arrived in the summer of 1950. That July, "I'm
Moving
On"
began its remarkable ascent up the charts, eventually landing at number
one and staying there
for a full 21 weeks.
In the year after the release of "I'm
Moving On," "The
Golden Rocket" and "The
Rhumba
Boogie" both hit number one (the latter staying there for eight weeks),
establishing Hank
Snow as a genuine
star. Between 1951 and the end of 1955, Snow had a remarkable 24 Top Ten
hits, including the
massive hit single "I
Don't Hurt Anymore" which spent 20 weeks at number one in
1954. Snow not only
played his trademark travelling songs, but also country-boogie, Hawaiian
music, rhumbas, and
cowboys songs. By the middle of the decade, he was a star not only in the
United States and
Canada, but throughout the world, gaining a particularly strong following
over the
years in the United
Kingdom.
Around 1954, Snow formed
a booking agency with Colonel Tom Parker, who would later become
infamous for being
Elvis Presley's manager. Indeed, Hank played a formative role in Presley's
early
career, convincing
the Grand Ole Opry to give the singer a chance in 1954. Though Elvis'
appearance at the
Opry was ill-received, Snow continued to push Presley to move towards country
and Hank was quite
upset when Parker took complete control of Elvis' management around 1955.
Still, Hank found
a way to combat rock & roll -- he recorded some light rockabilly singles
himself.
"Hula Rock" and "Rockin',
Rollin' Ocean" were attempts to capture the beat of rock & roll, but
diluted with the rhumbas
and boogie that made his singles hits during the early '50s. Though he
was
experimenting with
the new genre, he hadn't abandoned country and he continued to regularly
chart
in the country Top
Ten until 1965 with hits like "Big Wheels" (#7, 1958), "Miller's Cave"
(#9, 1960),
"Beggar to a King
(#5, 1961), "I've Been Everywhere (#1, 1962), and "Ninety Miles an Hour
(Down a Dead End Street)"
(#2, 1963).
During the latter half
of the '60s, Snow's career slowed down considerably, as he wasn't able
to
make the transition
to the new, heavily orchestrated country-pop sounds, nor was he able to
keep
pace with the twangy
roll of Bakersfield. Instead, his singles placed in the lower reaches of
the
charts, while his
concerts and Grand Ole Opry appearances continued to be quite popular.
It wasn't
until 1974 that another
monster hit arrived in the form of "Hello Love," which unexpectedly climbed
to number one. Instead
of sparking a revival, "Hello Love" proved to be a last gasp; between its
release in 1974 and
1980, Hank had only two other Top 40 hits, which both arrived the same
year
as "Hello Love." Despite
his declining record sales, his profile remained high through his concerts
and
several lifetime-achievement
awards, including his induction to the Nashville Songwriters
International Hall
of Fame in 1978 and the Country Music Hall of Fame in 1979.
In 1981, Hank Snow's
recording career ended when RCA dropped him after a 45-year relationship.
Snow was very upset
with the label's treatment of him, as well as the direction that country
music
was taking, claiming
that "80% of today's country music is a joke and not fit to listen to."
He was
equally angry that
country's roots were being diluted by pop and rock production values. Though
he
never recorded again,
Snow remained active in the Grand Ole Opry into the '90s, and he spent
a lot
of time working for
his Foundation for Child Abuse. In the late '80s, Bear Family began a lengthy
retrospective of several
multi-disc box sets that chronicled his entire recording career. In 1994,
Snow published his
autobiography, The Hank Snow Story. Late the following year, he was stricken
with a respiratory
illness, yet he recovered in 1996, returing to the Grand Ole Opry in August
of that
year. -- David
Vinopal, All Music Guide |